![]() ![]() Finding an outlet that works and isn’t dangerous can be even more difficult.Ĭome prepared with a power strip, extension cord and power tester. ![]() It’s best if you have a matched pair.įinding a power outlet can be tricky in unconventional spaces. You can bring a couple large diaphragm and small diaphragm mics to try. The longer the better (that’s just too easy to “poke” fun at). Depending on where you place the mics, you may need a lot of slack. You may want to hang the mics from something, change a lightbulb, or clean the cobwebs. Regular stands don’t give you enough flexibility or height. If you can get some really good boom stands that have some height to them, you may want to raise those mics up high in the center of the room. During vampire hours, they’re much more contained. Most spaces that are desirable have a lot of noise during daytime hours. One of the tricky things about this method is surrounding noise. The volume to which the monitors play back in the room will also affect the sound and reflections. Most audio engineers will have a good sense of this already. It’s important to be aware of this in the event that you’re troubleshooting. Remember, sound will bounce off surfaces. There will be a ton of variation depending on where you place them. Mic placement may turn out to be a little time consuming. I feel that’s worth mentioning in case you found yourself staring at the speakers waiting for magic to happen on its own. ![]() You play the track you want reverb on through the monitors in the room and then record the signal. ![]() I’ve talked in other posts how I like coloration and character. I’m not super concerned with the sound being an exact reproduction of the original source. I usually opt for a large diaphragm in mono or two in XY position. You’ll have to decide if you want to do M/S, Mono or Stereo. You can take one or two studio monitors with you depending on if you want mono or stereo reverb. I kept thinking I was in the actual space. I knew this stairwell as I walked up it everyday to the sessions.Īfter we recorded the reverb, hearing it on playback would always play tricks on my mind. On a recent record, we used the stairwell in the building of the studio to record reverb. Well, not REAL tape, nobody is lugging a Studer for mobile recording. It’s kind of surreal to hear reflections on tape that you know well. If you ask nicely (tip: you don’t have to ask nicely to go to jail), you may be able to go into these spaces after hours and record some natural reverbs. The cafeteria in jail… (I mean school), court houses, churches, clubs, hallways, and stairwells to name a few. Think for a second about all the cool sonic spaces you’ve been in. Not just for tracking instruments but also for recording real reverb. This opens up the possibilities of remote recording. A lot of us are running laptops or have the ability to record on laptops. Be sure to click the links to learn more.We live in a time of ultra-mobility. Here on Reverb, we have tons of content to both teach you about how mixers work and give you some curated picks based on your use-case-like some of the best budget mixers for live electronic music sets, how to choose a mixer for live synth performances, and some great picks for mixers to round out your PA setup. If you have passive speakers, however, take a look at our collection of powered mixers to find the best option for you. On this page, you'll be able to find a variety of great passive mixers-the perfect complement to the powered speakers that round out your PA system. Anyone looking to get some analog flavor from your digital multitrack recordings can do so with an analog summing mixer. If you're looking to mix a few signals for a podcast, a small, straight-forward mixer with a couple of mic inputs, basic routing and a USB port is the way to go. On Reverb, you'll find an enormous selection of all types of mixers, from Yamaha MG-series to PreSonus StudioLive mixers, SSL 4000E's to discrete Neve BCM10 sidecars. Audio mixers come in a variety of types, sizes and configurations-analog and digital-from compact desktop units with just a few inputs to nine-foot-long large-format recording consoles and everything in between. ![]()
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