![]() ![]() Urgent but articulate, Sister captures Sonic Youth at a quintessential crossroads. Sonic Youth: Beauty Lies in the Eye – video If you get from the perfect Teen Age Riot to the powerful Kissability without hearing Sonic Youth’s fundamental songwriting prowess, start again. And Lee Ranaldo, the band’s classic rock doyen, pulls Jimi Hendrix and Joni Mitchell into Hey Joni, a song balanced by bright harmonics and shrieking distortion and driven by a sense of trying to outrace the past. One track later, Kim Gordon’s The Sprawl, inspired by the writing of William Gibson, lulls you with chanted vocals before the guitars split into bedlam, scoring a dystopian daydream. ![]() During its first seven songs alone, Thurston Moore lets Silver Rocket, an explosive rock hit waiting in the wings, collapse in a conflagration of smoking amps. ![]() Essentially from the start, though, three distinctive songwriters powered the band in tandem, creating records that felt like rollercoasters – perhaps none more so than Daydream Nation. Sonic Youth sometimes get a reductive rap for just making a racket. This is the record that would rightfully earn Sonic Youth a major-label deal and a spot in the United States’ National Recording Registry. During 70 breathless minutes, Sonic Youth drift through refracted spoken-word and musique concrète collage, churn through Swans-like rumblings and atonal barrages, and shimmer through a series of pop-rock gems lined with shards of dissonance and sheets of feedback. One of indie rock’s truly sacred texts, Daydream Nation is both a gripping synthesis of the punk, college rock and modern composition that surrounded the young New York band, and a living mood board for so much of what would arrive in the decades to come. ![]()
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